Writing with
Light
Writing with Light, the original meaning of photography, is a movement by visual journalists and documentary photographers to clearly differentiate their photographs from other images that appear to be photorealistic but are highly manipulated or generated by artificial intelligence systems. The icon, placed next to the photographer’s name in the credit, indicates to readers that the photographer upholds the Statement of Principles (below), striving for fair and accurate reporting of what they experience while acknowledging the subjectivity inherent in their work.
Just as a writer is an author whose credibility is based upon their skills and integrity as a professional, so too the credibility of a “writer with light,” the author-photographer, is dependent upon their own skills and integrity as interpreters of people, issues, and events, not solely upon the fidelity of the camera as a recording device. And just as a writer can quote what someone says, so too photographs can be considered as a quotation from appearances presented within the photograph’s frame. In both cases adequate context needs to be provided for the reader to better understand what is being said or seen, while in neither case can quotations, of words or image, be used that mislead.
If photography is to continue to function as a reliable witness, capable of provoking societal debates and interventions for those in need, differentiating between fact and fiction has never been more important.
Statement of Principles
As recordings of the visible, journalistic photographs must be fair and accurate representations of what the photographer witnessed.
Neither alterations to a photograph that mislead the public, nor staging events while depicting them as spontaneous, are acceptable in journalism. Nor should one publish a photorealistic synthetic image made by artificial intelligence and pretend that it is an actual photograph.
Any deviations to these basic principles must be explained in a caption or credit and marked, where appropriate, by an icon indicating the kind of manipulation that occurred which is placed on or below the image when published.
In support of a vibrant photojournalism that can serve as a credible witness to people, issues, and events, a group of organizations and individuals have agreed upon the following Statement of Principles. It is issued as a response to the recent emergence of artificial intelligence systems that can generate photorealistic images which can be confused with actual photographs, as well as to other forms of photographic manipulation. Most importantly, it is a call for an invigorated visual journalism that can provide a more complex, thoughtful, and dynamic exploration of societies worldwide, one in which the photographer must be considered the author of the image with all of the responsibility that this entails.
A Glossary of Terms and other Resources, including a reading list, technical help and community support, can be found on this website as well:
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