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Meet Our Team
A perfect blend of
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Developer
George Smith
Photographer
Roberto Willis
Head of Finance
Maria Carlson
Awards that we have.
Small but powerful team the word mountains, far from the countries Vokalia and Consonantia.
Site of the Day
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CSS Design Awards
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The FAW – Site of the Day
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Site of the Month
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As a non-fiction photographer, I strive to understand what I’m documenting and present the images, words and context that help clarify and deepen my images with as much veracity as possible. Even prior to the proliferation of AI, facts and truth have been called into question, mainly by authoritarian and non-democratic forces. Now with AI, it’s imperative that we strive to maintain our accuracy and push back on the forces that manipulate truth and sow fear into the masses only for political power and influence.
Ed Kashi - Photojournalist and Documentary Photographer, member of VII Photo
A camera is an ethical tool which helps guarantee credibility because the photographer is an observer. AI images are just numbers in a box that have no conscience and no morality. But they look like a photographer “took them”. Synthetic images are not any more real than fiction is fact. Even if fiction sounds like fact, it is not. That’s why books are identified as fiction or non-fiction. The real danger with AI begins when the public can no longer believe documentation because they can’t see the difference. When lies become truths, truths become lies. Our job is to hold those in power accountable, so without the integrity of the press, the future of democracy is threatened.
Larry Towell - Member, Magnum Photos Photographer, Musician
I use the language of images, along with that of words, to document the world I’ve had the privilege to enter and participate in through my questions, my observations and my camera. As an honest photojournalist, I don’t extrapolate or lie with words, and I don’t do that with images, either.
Jane Evelyn Atwood - Documentary Photographer
Today, artificial intelligence has given us the possibility to synthetise ‘photographic truth’ relying on (post) photographic data stretching out from images formerly known as ‘straight’ to ‘improved’ and now also – and increasingly – synthetic. All stored in the ‘cloud’, pretending to be collective memory while in reality shaped by commercially operated algorithms: systems locked up in black boxes virtually no one has access to.
Bas Vroege - Director - Paradox
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